I know I’ve been away, and I’m still exceptionally busy, but I just had to share this with you.
This is the review of “Little Shop of Horrors” in today’s Commercial Appeal (Memphis’ major newspaper) The part pertaining to Justin’s performance is in bold:
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‘Little Shop of Horrors’ offers theatrical tidbits that are easy to digest
By Christopher Blank
October 20, 2006
Sometimes you go to the theater to be enlightened. And sometimes you just want a bunch of candy for the eyes and ears.
Theater Memphis’ latest production — in time for Halloween — is a delicious bag of goodies with some wickedness thrown in for giggles.
Trick and treat.
The frightfully entertaining “Little Shop of Horrors,” which premiered last Friday, hits the stage with the exuberance of a 7-year-old hopped up on Reese’s Peanut Butter Cups and Pixy Stix.
The community theater’s staging of the 1982 off-Broadway musical is, like last season’s production of “Cats,” a well-produced and detailed show mimicking the original design.
Technical excellence is combined with the cast’s A+ sense of camp and enough stage fog to choke a Londoner. Director Cecelia Wingate knows her material well.
The first major collaboration between creators Howard Ashman and Alan Menken (they’d later write Disney’s “Aladdin,” “The Little Mermaid” and “Beauty and the Beast”) remains their wittiest and most adult-themed work.
Inspired by Roger Corman’s 1960 cult film “The Little Shop of Horrors,” the musical begins with the B-movie premise that during a solar eclipse, a “strange and interesting plant” suddenly appears in the vicinity of Seymour Krelborn — a klutzy assistant in a Skid Row flower shop.
He adopts the orphaned Venus Fly Trap and uses it to bring notoriety to the shop run by his unsavory boss, Mr. Mushnik.
But the plant has an unusual diet. It needs blood. Human blood.
As the plant grows — through a series of increasingly larger puppets operated by Stephen Tate and Alison Vanelli — so does its appetite. When it finally opens its trap to speak, its first words are “Feed me.”
One likely candidate to become plant food is Orin, the abusive, motorcycle-riding boyfriend of Seymour’s love interest, Audrey. As a bonus, the guy’s a dentist. With a very dull drill. He deserves it.
That’s the gist of Act One.
The cast pulls off most of the show’s necessary gimmicks with some surprises thrown in.
Three chorus members who play Skid Row street-urchins, Thymia “LaShay” Rogers (Crystal), Ashley Wieronski (Chiffon) and Mandy Lane (Ronnette), convincingly sing the early ’60s doo-wop and Motown style of music written for the show.
Marques W. Brown’s geeky, guilt-ridden Seymour is the childlike center of the play, while Greg Krosnes as the froggy Mushnik gets laughs for his villainy.
Though just 16, Miriam Rodriguez shows mature comic timing in the role of Audrey. Her deadpan sweetness in the song “Somewhere That’s Green” — a tune about moving to the suburbs — only made the delivery funnier.
Kent M. Fleshmen is a force to be reckoned with in the role of the sadistic dentist. No stranger to camp, Fleshman won an Ostrander a few years back for his work in Circuit’s “Zombie Prom” and was equally amusing in Playhouse’s “Bat Boy.”
For this role, he is equal parts Elvis impersonator and Rydell High T-Bird running on a full tank of high-octane silliness.
One of the show’s biggest surprises is the voice of the plant, Audrey II. Traditionally, the role goes to a person of color — someone trained, or at least convincing, in the idiom of ’60s R&B. In the 1986 film adaptation, for example, it was voiced by Levi Stubbs of The Four Tops.
Justin A. may not be black, but he sounds remarkably like Little Richard. The plant has soul to spare.
So does music director Angelo Rapan’s small band, playing to big effect in the pit.
With a lot of sugar and a lot of soul, Theatre Memphis’ “Little Shop of Horrors” is a rare treat for the PG-13 set: a taste of the old Halloween spirit without all the excess calories.
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So, there you have it folks. The reviewer thinks Justin is fabulous and doesn’t even know him. I’ve suspected this all along…